Showing posts with label Unit 06 - Places. Show all posts
Showing posts with label Unit 06 - Places. Show all posts

Friday, 5 March 2010

Urban and Rural Location Photography #1: A familiar place that is significant or important to you

Concepts

I had two possible ideas for this brief. I have travelled quite a lot and been to many places which inspire me. Places where I have had great experiences and adventures big and small which have created great memories. These places and the memories of them are significant and important to me. Drawing on this my first idea was to take photographs of objects which I have brought back from my travels, which I keep around my house as reminders of these trips. The second idea was closer to home, literally. My idea was to explore my home environment and capture its essence through photographs from each room which focus on the colours, textures and shapes in the structure of the house (brick, stone, wood, tiles etc) and the objects in the house (rugs, baskets, furniture etc). This idea is helping to develop my style, which you can also see elements of in my work on urban, countryside and alien, environments, and which focuses on elements of colours, textures, patterns and shapes to look at everyday objects or scenes from a different (often abstract) viewpoint.

Inspirations

As research for both concepts I explored photographs of household objects. Here are a few examples of what I found.

 Images below from Google Images http://www.google.com/imghp?hl=en):

Fitz Goro

Jan Groover

Sophie Calle

 Wols

Victor Schrager
Donna Corless
From flickr.comphotosdonnacorles


Ulf Buschmann
Dominik Fusina
Szilard Locsei
Pixim

Planning, execution and outcomes

1. Objects representing places

To create this series of pictures I set up a makeshift “studio” space at home. I set up a small table against the wall in my living room. I chose the location because it provided me with a neutral backdrop and was lit reasonably well with halogen spotlights. I covered the table with a cloth the same colour as the background wall.

I used a Canon EOS 5D that I had borrowed from college with an EF 100mm f/2.8 macro lens.  I wanted all the images to come out the same scale, tone, contrast etc.  The camera settings were ISO 200, 100mm, f2.8 with a shutter speed from 1/8 to 1/20.  I made small adjustments to the shutter speed to allow for some objects being lighter or darker in colour and needing a slightly different exposure.  This did mean that the background colour varies slightly, which could be edited in Photoshop.

I made two luggage labels for each object, one with the name of the country of origin and one with the country flag, and took three photographs of each object – one with each flag and one with no flag.

Post production I converted the images to black and white and reviewed both the colour and black and white versions. Unusually for me I felt that the colour versions worked better. Based on the colour versions I felt that the flags worked well. Here is one contact sheet and a couple of larger imagesto give an idea of the concept :
 The ultimate aim was to produce a book of images. With one image per page:
This is in a handmade "rustic" simple style with images printed on textured paper.  Opposite ecah image is a list of words which reflect memories of the place.

The finished book is in my final portfolio.

2. Objects representing my home

My home is a cottage dating back to c1740.  When I bought it I had to completely renovate it and set out to use as many natural materials as possible - oak, stone, brick, terracotta, wool, cotton etc.  I wanted to take a series of images that would capture the essence of my home including the shapes, textures and tones of these materials.

To take the images I chose a bright day when there was lots of natural light coming into the house and used the room lights to provide additional lighting where necessary. I set out to take two to three objects in each room of the house.  All the objects were photographed in close-up using a Canon EOS 5D with an EF 100mm f/2.8 macro lens. I aimed to take some photographs where it was clear what the object was and others which were very abstract.

From the outset I intended for the final images to be in black and white, which I feel adds to the abstract effect and helps to focus on the shapes and textures. However, I initially reviewed the images in colour and made a selection of images which I then converted using a Lightroom black and white preset and reviewed again.

Here are example contact sheets in colour and black and white:
From the black and white versions I then selected 24 images. These were taken to Katy’s workshop where I had the opportunity, working with classmates, to try out different combinations of images. What was interesting was that everyone who came along had different ideas of what they found a pleasing arrangement!  The pictures below show some of the groupings that were put together during the session. (These were taken just for reference using a compact camera - a RICOH Capilo R2).




At home I played around with the groupings again.  Here are some examples (again taken just for reference using a compact RICOH camera):

Curves and bubbles




Verticals

Textures
 Shapes

From this I initially selected 12 prints that I thought worked well as a series that could be included in a book.  I used blurb (www.blurb.com/uk)to look at some possible book layouts.  These are some examples:
At this stage I decided not to go ahead with a book but to select 6 prints to include in my portfolio.  I selected two groupings from the above examples - one of verticals and one of textures.  These are the 6 images which I feel do capture the essence of my home through the shapes, textures and tones of the materials of which it is made:

Urban and rural location photography #2: The City or the Urban Sprawl.

Unlike the Countryside or Wilderness brief where I had a really strong idea about what kind of images I wanted to produce, I started this brief not really knowing where I was going with it.

Inspirations
Set out below are some examples of photographers and their work which I discovered along the way.  As with the photographs of trees in my wilderness blog, the images I selected as I researched focus on textures, shapes and patterns, unexpected angles and looking at the ordinary in a new way.

Searching on the internet for urban photography I discovered the work of Paul Raphaelson (http://www.paulraphaelson.com/portfolios.htm#).  His work seems to capture the sadness of abandoned places – these examples are from his work titled Lost Spaces, Found Gardens:
where these images captures urban wilderness:
Raphaelson's work is also found on the site http://www.urbanlandscape.org.uk/raphaelson.htm.  In contrast to Raphaelson, Josef Hoflehner shows urban spaces in a more flattering light, for example, with his classic city images (better quality versions of these images can be found on his website -
http://www.josefhoflehner.com/portfolios.html)
 The images below from different photographers all capture lines, patterns and shapes found within the urban environment (all images from Google Images except where otherwise stated):
Robert Frank
Bryan Hayes
                                                                    (www.industrial-landscape.com)
Ralph Gibson
Richard Littlewood

I also find the website Urban Photography Art (http://www.urban-photography-art.com/) a useful source of images, inspiration and information on urban photography.

Concepts
I experimented with a couple of ideas, starting with some fairly conventional images and ending with something more abstract - seeking out lines, patterns, shapes and textures in the urban environment.

Planning and planned outcomes
My aim was to take images in two different urban settings in different light and weather conditions. Details of the plan and outcomes from each environment are given below.

I used a Canon EOS 50D with a choice of wide-angle (10-20mm) or super zoom (18-200mm) lenses as detailed on specific images below.

Research
I didn't do any specific research on places in advance – they were places I had some familiarity with and, as detailed below, I had idea of what kind of images I wanted to capture, what I wanted them to say.  Other than that I just walked, fairly randomly, with the camera and photographed what I found along the way.

Outcomes

1) Urban meets wilderness
I visited Banff in February 2010 on holiday. Banff, located on the Trans-Canada Highway, is the largest town in Banff National Park, in Alberta's Rockies. At 1,463 m (4,800 ft), it is the town with the second highest elevation in Canada. It is surrounded by mountains, notably Mount Rundle, Sulphur Mountain, Mount Norquay, and Cascade Mountain, and is situated on the Bow and Spray Rivers. My aim was to capture the contrast between the town and its magnificent surroundings.

I took photographs on several days under different weather conditions. On some days the sky was overcast and the light was very flat. This created a landscape where everything appeared grayscale. Other days were bright and sunny creating great contrast between the town and its surroundings. These contact sheets show a sample of the photographs I took:

These are some of the selected images from the above sheet:
Canon EOS 50D 35mm f/16 1/50 ISO100
Post production editing = fill light added to correct the exposure of the dark foreground
Canon EOS 50D 100mm f/16 1/50 ISO100
Post production editing = fill light added to correct the exposure of the dark foreground 
Canon EOS 50D 20mm f/6.3 1/30 ISO200
Post production editing = increased exposure
Canon EOS 50D 135mm f/11 1/60 ISO100
Post production editing = reduced exposure
Canon EOS 50D 80mm f/11 1/30 ISO100
Post production editing = adjustments to exposure and saturation and some slight cropping.

With landscape photography to get the best images sometimes you have to wait for the light to change or be able to go back on another day with better weather conditions or when there are dramatic skies.  Whilst some of these images could have been better if I'd been able to go back under differnt conditions, I know from the reaction people have had to them, that I did capture the 'wow factor' that I was after.

On the overcast days because there was very little colour in the landscape I thought some images would benefit from being converted to black and white, with what I think are pleasing results as this really bring out the contrasts in a way which is lacking in the original images.  On some the brighter days it was difficult to balance the dark foreground with the bright skies (unfortunately I didn't have a ND grad filter which might have helped) and again I felt a black and white treatment may help.  Here are some before and after versions:
Canon 50D 20mm f/6.3 1/60 ISO200
Post production editing = increased brightness and preset black and white conversion
 Canon 50D 40mm f/5.6 1/320 ISO100
Post production editing = increased colour saturation and preset black and white conversion
Canon 50D 20mm f/5.6 1/320 ISO200
Post production editing = increased saturation and preset grayscale conversion

The Photographer in action!
Taken by Ian.

2) Blackburn town centre
On Monday 8 March a group of us decided to take a walk round Blackburn town centre to take both some candid portraits and some urban shots. All pictures were taken with an 18-200mm lens.  I started out by taking some conventional images trying to capture the ordinariness of the setting – what David Chandler described in his essay The Landscape of Disappointment as “functional landscapes” and “nondescript scenery”.  However, as it was a really bright and sunny day, the images are not as grim as I expected Blackburn to look, especially as I have slightly saturated the colours!

Canon 50D 32mm f/16 1/60 ISO200
Post production editing = fill light added to remove shadow from the stone building on the right

Canon 50D 18mm f/16 1/60 ISO200
Post production editing = fill light used to remove shadow areas on the front of the building 

Canon 50D 110mm f/16 1/10 ISO200
Post production editing = fill light to remove shadows

I also tried black and white versions (using a black and white adjustment layer in Photoshop for the conversion) and I feel that these capture the kind of atmosphere I wanted better than the colour versions but it still doesn't reflect David Chandler's vision - it was just too nice a day!:
I soon grew bored with taking conventional shotsand started to experiment a bit more. It started when I took this picture of the Thwaites brewery through the chain link fence:
Canon EOS 50D 32mm f/16 1/80 ISO200
Post production editing = increased blue saturation, fill light to brighten the foreground and preset black and white conversion

Then I thought I’d try to photograph just the fence and the way it seemed to bend and flow:
Canon 50D 145mm f/16 1/80 ISO200
Post production editing = small amount of cropping and preset black and white conversion

This lead to me exploring some of the patterns and textures on the buildings:
Canon 50D 140mm f/9.0 1/10 ISO200
Post production editing = small amount of cropping and preset black and white conversion
 Canon 50D 50mm f/16 1/6 ISO200
Post production editing = small amount of cropping and preset black and white conversion
Canon 50D 200mm f/16 1/180 ISO200
Post production editing = cropping and preset black and white conversion

Canon 50D 80mm f/16 1/8 ISO200
Post production editing = small amount of cropping and preset black and white conversion
Canon 50D 50mm f/16 1/10 ISO200
Post production editing = exposure reduced, image cropped and preset black and white conversion
Canon 50D 60mm f/5.0 1/30 ISO200
Post production editing = reduced exposure, cropping and preset black and white conversion

These images were taken in colour, as shown on the contact sheet above but in order to enhance the graphic quality of the images I converted them to black and white.

They remind me of the work of Lewis Baltz (images from Google Images http://www.googleimages.co.uk/):
Although I didn't think I was getting anything very interesting when I was taking the conventional shots above on reflection I am quite pleased with the edited versions with the saturated colours and the black and white versions but I prefer the abstract images as a concept.

Postscript
More examples of my urban photography from Manchester and Salford Quays can be found on my flickr site - see links at top or bottom of blog.